Holding space for yourself
Many musicians feel like playing their instrument is home - we are encouraged to view our instrument as an extension of ourselves, a part of our voice. And truly, it can be a very organic expression of our thoughts and feelings.
But what happens when playing your instrument doesn’t feel comfortable?
When you are growing as a musician, inevitably, you will have periods of time that you are making adjustments and questioning how you play or what you want to do in your career. Those times of experimentation and discovery are crucial for growth, but they can leave us feeling unsettled.
If you’re a student who is about to graduate or someone who has newly entered the “real world” after music school, you may relate to that feeling of being misplaced in a big way. We are offered so many amazing resources in school - ensembles, mentors, peers, chamber music, plentiful practice time - that when we are suddenly removed from that environment it is quite jarring.
In my own life, I’ve gone through several of these moor-less periods, both in and out of school. They are often connected to times when I feel my playing is shifting and changing. Somehow, it seems that feeling a newness or discomfort in my routine of flute playing reflects a much bigger shift in my life.
And I suppose that it’s true - we grow and change over the course of our lives, and that affects the way we approach being a musician.
There are obvious examples and many, many more subtle ones. Leaving school and still needing to grow as a musician without somewhere to perform is a large hurdle. Realizing that you have dedicated a lot of time to something that hasn’t helped you grow as a person or musician the way you’d hoped feels like a monumental observation. Dedicating time and effort to your health will change how you feel in your body and affect your playing.
In the past, and especially when I was a recent graduate, this feeling that a tether, to a place or the way I did things in the past, had been severed seemed to present only one option. To dig in with resolve and forge ahead doing what I was told to do in school or to keep doing the same things I had been and wait for the feeling to pass.
But now, I’m realizing that these phases are a call to create a new home in myself. A new sense of belonging, whether that is in leaving something that has run its course behind or trusting the musical skills I have cultivated as a flutist over my life since I was eight.
One of the most exciting things to me about a life in music was that I had choices. I could build a career out of the things that spoke to me, create a unique schedule and follow uncharted paths.
But as music students and young professionals, there is a distinct message that to be respected and successful you really must follow the things that speak to you on a sometimes unspoken but traditional path … orchestral work, music administration, college teaching, etc..
In choosing to deviate from what's expected, it can become hard to resist the feelings of self-criticism or concern about how you will be viewed professionally, even when you know you don’t want to do something that is admired.
I have challenged myself this year to pursue the things that really speak to me. I have left a few things behind or said no to things that I would have jumped at five years ago. In some ways, it has made me feel much freer to understand the parts of music that I am not meant for right now. In other ways, it has handed a microphone to that tiny critical voice that says things like “you are only doing something else because you are not good enough to truly be 'successful'.”
What I wish I would have realized as a young musician is that the tiny critical voice, that sometimes shouts very loudly, is usually just fear.
When you pinpoint what it is you truly want, is it surprising that fear shows up to say, “but what if you can’t actually do it?”
If you are facing big decisions, allow yourself to sit with your fear. Will you be guaranteed to succeed if you make a change? No, but will you grow and learn? Will you be doing something you can genuinely be invested in?
If you are a student or a new graduate, allow yourself to sit with your fear. Ask yourself what careers and who you admire, then ask yourself why.
If you understand your why, then you will be able to follow it to the path that’s meant for you.
Find a quiet space where you feel safe. Close your eyes and feel your breath, listen to the sounds around you and then go inward. Be open and notice what shows up.
It’s not simple, but you have to remember that in life and in music, no one holds all the answers for you. You have what you need to create the space that feels like home, but you have to be willing to hold that space for yourself. No one else can do it for you.